Influence, Or
Something Like It
I have begun to think of life as a series of ripples
widening out from an original center.
Seamus Heaney
Pinned & welded
to the thin metal pole,
the birdbath’s bowl holds only enough rain-
or hose water for our few wrens & robins &
song sparrows. On days it's dry: a caravan
of ants. Lately, like today, a thin scrim of pollen
water a southeast wind ripples. Her motley yellows,
her blondes of a lot of hues. It's imbued, if you were
to stop at just this certain spot, at just this certain time
of day, by the
roofline’s gable, her New
England pitch reflected in the basin’s stationed
rain. Once a hawk watched me there & then flew
off. I only saw
it shade the water, briefly blot
the sky. & once a kit of pigeons lift, beak flick,
to dip their small noggins to their peculiar
music of coos. Only ever briefly slack, the water's
often rhythmed, cautioned by all those log trucks
hauling their bed of pulpwood to the paper
mill that ripples a sometimes windless surface.
It’s when the distant bridge shakes, it’s when
the reverberation
is both airborne
and underground
undertow, you know? When
it mingles with
what the ground makes
shake: the sway
of the bridge, her columns
of rebar and concrete
plunged deep beneath
the river, how
she receives & then delegates
the weight &
seeming seismic waves reawakening
commitments in
the shifting granite we stand on,
or the boundary
walls we make that are taken
down by the constant
shaking (recall what Frost
said about all
that mending). Sometimes
the birdbath
bottom is sand dry, the water being
called back the
way water is called back
and then filling the bowl to the rim, I watch the slow
garden hose nose the duff, float it a while, saturate it
cause it, while I'm looking someplace else, to over-
flow into the lupines that are pulsing to seed and rooting
deeper for next season, and the season after that.

