Cormorant Alone
for
Jessica
and holding its own
the soaked bird opens
its wings to the Kalamata
water-road and the spread loam
of cloud. I can see each
discrete drop of water
on the scored webbing of
its four toes. Is this bird
sitting there on a half-sunk
mud-stuck pine limb that’s
hunched up and also under
the withdrawing pond
water (water that will
finally fall down the dam wall)
drying itself for flight
or for the simple light
breeze stirring each
feather pressing and letting
a lift like a composer
at her key or string or reed
become a listening
a new way to touch and be
touched see how
the hover and pluck
the tongue and lip
is pitch is tipped
into the listed
ear then into the wind
that’s sifted of the dust
from the lintel of the sun-
touched is lifting
it from the wing
into the lightness
of wind. see then
the shedding
water? how it drops
onto the pond and is
instantly invisible
see how it is its own kind
of falling? see the cormorant
crouch at its knee
to take wing
skyward or waterward
depending on which fish
it wants? how can
either of these be less
than the right choice?
Or how can being neither
while simply sitting there
wings wide and drying
in the fading day
be less than the moment
that grounded it
it too
a momentary way-
station to flight?
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