discerning tastes
on Wyeth’s study for “Spring Fed” (1967)
(first
in watercolor then
tempera)
and
“Downspout” study for “Weatherside
(1965)
(drybrush
and watercolor)
sky water ground
water all through-clouds
all through matters and avenues of stone and what once was
stone
going over and if not over then
beneath
and if
not beneath
some
crack’s in
and
right
and
straight on that through
would you be able
to savor
the
dispute
:
the
dry well buried in the ground
fed some,
some,
by cedar gutters
hand
-hewn hand
-hollowed and
hung all along
his roofline and come down some into buckets
after the fall
and all those street savvy diversions
on
the pitch that inches its white redolent way
d
o
w
n
d
o
w
n
into
the cooper strapped and strayed busheled wood or terracotta clay hand
-made
covered
underground
sky
fed well
Or
:::
:
:
or somewhere up
north of the hill and deep
underneath
all of what's ever been
spilled
*
*
*
*
*
felled
:
:
:
.
. . . . .
and left and et to lie
for the immeasurable time of a now
nude sycamore
and/or maybe the early coming on of late
spring hay before the rain
after it’s pitched and lifted
and on its way to being
baled and twined
and hoisted
truck-bed-loft
what eye looks
on what hand
almost thresher
caught and not
entirely a loss
but some of
a thumb a lump of
one finger
the sum coming up
dirt: the sun takes up
what it must and yes
the earth claims all
of what’s left.
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