up
when the wind is let in
when it is let in to lift
everything left
everything let lie, listen
the lift of lace
and crocheted wings, beaks
and bodies of birds
left placid against the glass
to take their courses back
to favored places they may
have been, being lace: hook
and fingers and thumb
the coveted cotton, pillow box
the gone bobbins, prickers
and lifters, all sundry
accouterments...listen: wind
wants for nothing, needs
for nothing to be it but
breathing. Who hung them
up there in the attic, giving
them some affirmation inside
and maybe to the glancing
up eye, out? Don't you
want to know, depending
on your romance, maybe how
they came to be made?
Machine stages or staying
weights of bobbins
or do you want to know
who stood up in the window
to thread those cotton robins
(make them that) through
the rod and then walk back
-wards out of the room judging
their level sobriety? I wonder
if one of the things maybe
she was hankering for was
the simple walk up those stairs
one foot after the other
the scuff of her shoe on
the tread and toe-kicked riser,
the sag and sigh of the cede
of each step, still relenting,
beneath her. Just to see
those pieces. Those lace
darlings come up in a breeze
if Andy'd left the lower sash
up just some, just some, stuck
probably in the pocket, but
the robins are free, like they're
just new, just relenting the nest
lifting before the last possible crash
after such a shocking, shocking
fall, and how, if she could, she'd
press her face against them
and let them touch her, and they
her, bird after bird. She'd taste.
She'd awaken. And tell no one.
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