In This Old Colonial
The darkness was thin,
like some sleazy
dress that has been
worn and worn
for many winters and always
lets the cold through
the bones.
Eudora Welty
"The Whistle"
I'm wondering coming round from
the back to face the front
door, if the parlor was to the left
or to the right? Being courteous, attending
to the grief the living participate
in, if I were to arrive at this
house two hundred years ago in some
honor of the dead, which direction
would I take to sit with the laid out
remains and disappeared stains buffed
from the quarter-sawn pine, fire
on the inside of the andirons to drive all
our breath/wind up the brick in
shocked or resolved shuffs,
depending on the unnatural or
or natural they may have gone
down, and then gone up, some
part of them stuck in the deep gleam
of the creosote, tinking like
clinked glasses, to come loose
in the next heavy rain and some
staying, when the brick goes cold,
for the once favored, for the way it gave
to heat? Maybe, this isn't the time
to ask, but can you remember reading Eudora
Welty's "the Whistle", when such a dying
freeze is so near their ( I want a word
for the skin, the way it dimples when
the ripe's on, the way it stays
thick as thieves all summer and then gives
way to the least of freezes)
tomatoes, the dearest
thing they can bring to heat is
their cherished heirloom? And once lost,
the crop is nothing but limp along
the macadam path
of hindsight---all is lost come the
icy dust of morning. If I'm re-
membering correctly, they
freeze to death, yes? And aren't
their memories given back to them
with the ferocity of that heirloom
on fire and don't they become
fiends for the least streak of soot
and warmth? And too, these
immediate to me ghosts? Don't
they too go up the chimney
where some part of them stays
stuck, like their last supper,
tucked to the flue and brick?
Two hundred years of it, what
the sweep, with his bricks
and sticks, misses?
No comments:
Post a Comment
Thank you for your comments